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Read more on the different methods to do the color transforms. Note: If the film is already in DCI X’Y’Z’, or you are using a 3D LUT or an effect to do the conversion, choose DCI X’Y’Z’ as the timeline color space to not use an automatic color transform. It will look strange on a standard monitor when rendering, but when you drop the DCP back in the Rec 709 2.4 project, it will have a DCI X’Y’Z’ to Rec 709 2.4 transform applied and look normal. When you choose Rec 709 Gamma 2.4 as the Timeline color space, the film will be converted from Rec 709 Gamma 2.4 to DCI X’Y’Z’ when the DCP is made. Output color space can be left as “Same as timeline”, it is not in use when making DCPs. In “Project Setting – Color management – Color Space and Transforms – Timeline color space,” choose “Color science”: “DaVinci YRGB” and the color space and gamma of the film.: “Rec.709 Gamma 2.4”

More info on making a 7.1 VF in Easydcp Creator plus Resolve DCP Color Management REC 709 2.4 gamma to DCI X´Y´Z´

The Left Rear surround channel is on channel 11 and the Right Rear surround channel is on channel 12. To make a 7.1 DCP, you would typically make a supplemental package that adds 7.1 sound to the 5.1 DCP.

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If the film has a stereo soundtrack, it is often upconverted to 5.1 or LCR.in Pro Tools Ultimate or upmixed in Resolve Read this post if adding 5.1 sound from 6 mono audio files or a Quicktime /MXF 5.1 mix interleaved wave file to the 5.1 audio trackĬorrect channel order for 5.1 tracks: Left, Right, Center, LFE, LS, RS I will make a 2K 25 FPS SMPTE DCP so I choose the same project frame rate as the video file:Ĭhange Audio Track Type to – 5.1, not 5.1 Film It is best to make the DCP in the original frame rate. Start a new project and choose the DCI resolution in Timeline Format in project settings that best matches the resolution and aspect ratio of the film:Įxample 2K DCI Flat 1998 x 1080 DCP Frame rates Change the project setting to a Flat or Scope DCI resolution

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Great deinterlacing and scaling of older video materialĮxample: How to make a 2K Flat SMPTE 25 FPS DCPįrom a 25 FPS Rec.709 2.4 gamma 1998×1080 Quicktime/MXF Prores 422 HQ and a separate interleaved 5.1 wav file.Ī typical video file converted to a DCP is made from a high bit rate cine-camera source.

It is made for color grading and video editing.

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I have also written tutorials on how to make DCPs for free in DCP-o-Matic andĪdvanced DCPs in Fraunhofer Easydcp Creator Plusīlackmagic Davinci Resolve Studio’s main advantages are: See this post for more info on the Easydcp plugin. The Easydcp plugin (€949) supports encrypted DCPs, the Kakadu does not. In the free version, you will get a watermark on DCPs. You can export DCPs using the built-in Kakadu JPEG2000/DCP encoder in Resolve 17/18 Studio ($295).